petiorew.blogg.se

Arturia minimoog v magesy
Arturia minimoog v magesy









arturia minimoog v magesy

Oberheim’s legendary SEM – Synthesizer Expander Module – is back for the first time as a high-end software emulation exclusive TAE technology. WiN TEAM V.R | | 117.08 MB STANDALONE/AAX/VSTi/VST3/圆4Ī giant has returned to life.

arturia minimoog v magesy

– Convolution reverb with 24 modeled reverbs – LFO for vibrato, tremolo and filter modulation – 24dB per octave resonant filter on Bass Section – 1978 Bob Moog’s polysynth resonator section on Upper Section – Classic Paraphonic operation as well as selectable Polyphonic mode – Vox Humana sound modeled after the original 1978 Bob Moog’s Polysynth – All of the original parameters of the ARP/Eminent Solina string ensemble Additional features like the Vox Humana and Resonators from the 1978 Bob Moog polysynth, original paraphonic and new polyphonic modes of operation, a 24dB per octave filter on the bass section, an LFO, an arpeggiator, and more all add up to creating the biggest and baddest string machine ever. Solina V is perfect for that string wash in your Nu Disco tracks or as a phase shifted pad in your old school electronic music track.īesides recreating the original features of the Solina, we took a step further and expanded the sonic palette beyond anything the original designers could have imagined. The renowned ENSEMBLE effect was carefully modeled and is a thing of beauty that cannot be found in any of the sample-based string machines. We began by modeling the original Solina MK1 from Eminent making sure that the Violin, viola, cello, horn and trumpet sounds were as rich and warm as the original. The Solina was probably heard on more albums in the 1970’s and 80s than any other single keyboard. The Solina, made originally by Eminent and rebranded for Arp, defined a class of sounds that are still as in demand today as ever. Before polyphonic synthesizers, there were the string machines. We’re keeping the love alive with Solina V, our physical model of the classic Arp/Eminent Solina string machine. WiN TEAM V.R | | 116.23 MB STANDALONE/AAX/VSTi/VST3/圆4 No strings attached Advanced mode for editing the model itself.Output effects where you can change the order.Stereo Vibrato with speed and intensity controls.Fender Rhodes™ Stand later (Bass Boost).Advanced Physical modeling engine (no static samples).Classic amps and an array of effect pedals round out the virtual electric piano you’ve always dreamed of having. You can even easily pop the top and customize the various mechanical components to make your instrument unique. We’re talking total sonic and aesthetic fidelity to the originals. We modeled both the Fender Rhodes Suitcase Piano and Stage Piano-including separate 19 models of the Stage in order to capture the difference in their components. The Stage-73 uses our award-winning modeling technology to faithfully reproduce the tine-based sound and playing experience of the most loved electric pianos of all time. The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet -completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps. WiN TEAM V.R | | 121.36 MB STANDALONE/AAX/VSTi/VST3/圆4 EPIC ELECTRIC PIANO – Playlists are now visible after uninstalling/reinstalling an instrument – Favorite presets now properly sorted when shuffle is enabled – Playlists now visible after recalling a project – Favorite presets management improvements Arturia has recreated this highly revered hit maker in partnership with original programmer Cameron Jones, delivering the immense rich textures and creative palette of this vintage instrument, while dramatically improving it to let you blaze new musical trails today with sounds never heard before. Some of those rock-solid systems are still in use today. Its unique combination of additive synthesis and frequency modulation delivered a creative edge to the privileged few keyboardists, producers, film composers and sound designers who could afford systems that ranged from $13k to $400k. If you were to ask anyone back in the late ‘70s and early ‘80s to name the Holy Grail of synthesizers, the most revered of them all was New England Digital’s Synclavier. The Synclavier V faithfully recreates the elite digital synthesizer/workstation that started it all, powering some of the biggest hits and film soundtracks of the early ‘80s with its unique rich, edgy sounds. WiN TEAM V.R | | 282.25 MB STANDALONE/AAX/VSTi/VST3/圆4











Arturia minimoog v magesy